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SVEN-DAVID SANDSTRÖM: THE HIDDEN TREASURE

Shortly after Sven-David Sandström’s death, in June, 2019, Omer Meir Wellber conducted the world premiere of The Hidden Treasure – a free interpretation of Bach’s Der Kunst der Fuge. The concert took place in the St. Thomas Church in Leipzig, where Bach himself once held the title of cantor. The piece is now performed in Sweden for the first time, alongside two further contemporary Bach interpretations. Israeli mandolin player Jacob Reuven interprets Avner Dorman’s poetically charged Mandolin Concerto from 2006. The concert is crowned by Schumann’s immense fourth symphony.

The concert was broadcasted on Berwaldhallen Play and at the Swedish Radio P2 on April 16, 7 pm.

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SWEDISH RADIO SYMPHONY ORCHESTRA

dot 2020/2021

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The Swedish Radio Symphony Orchestra is a multiple-award-winning ensemble renowned for its high artistic standard and stylistic breadth, as well as collaborations with the world’s finest composers, conductors, and soloists. It regularly tours all over Europe and the world and has an extensive and acclaimed recording catalogue.

Daniel Harding has been Music Director of the SRSO since 2007, and since 2019 also its Artistic Director. His tenure will last throughout the 2024/2025 season. Two of the orchestra’s former chief conductors, Herbert Blomstedt and Esa-Pekka Salonen, have since been named Conductors Laureate, and continue to perform regularly with the orchestra.

The Swedish Radio Symphony Orchestra performs at Berwaldhallen, concert hall of the Swedish Radio, and is a cornerstone of Swedish public service broadcasting. Its concerts are heard weekly on the Swedish classical radio P2 and regularly on national public television SVT. Several concerts are also streamed on-demand on Berwaldhallen Play and broadcast globally through the EBU.

Malin Broman is the first concertmaster of the Swedish Radio Symphony Orchestra since 2008. She served as artistic director of Musica Vitae in 2015–2020, premiering over 20 works and touring and recording extensively. In 2019, she succeeded Sakari Oramo as artistic director of the Ostrobothnian Chamber Orchestra.

As a guest leader, she has been invited to perform with ensembles such as the London Symphony Orchestra, Mahler Chamber Orchestra and the Philharmonia Orchestra. As combined soloist and leader she has performed with the Tapiola Sinfonietta, Nordic Chamber Orchestra, Trondheim Soloists and ACO Collective. Soloist highlights include performances with the Gothenburg Symphony, Copenhagen Phil, BBC Scottish Symphony, Academy of St Martin-in-the Fields, and the Swedish Radio Orchestra, working with such conductors as Neeme Järvi, Andrew Manze and Daniel Harding.

In recent years, she has premiered concertos by Daniel Börtz, Britta Byström, Andrea Tarrodi and Daniel Nelson. She has recorded over 30 albums, including concertos by Carl Nielsen and Britta Byström. Recent releases include an album with music by Laura Netzel, and Stockholm Diary with the Ostrobothnian Chamber Orchestra. Her recording of Mendelssohn’s double concerto together with pianist Simon Crawford-Phillips and Musica Vitae was Grammy nominated in 2019.

She received much acclaim for her recording of Felix Mendelssohn’s string octet in the spring of 2020, where she played all eight parts herself. She has since made two similar recordings: Britta Byström’s octet A Room of One’s Own, and Johan Halvorsens Passacaglia recorded with the Swedish Radio Symphony Orchestra’s solo contrabassist Rick Stotijn.

In 2001, she founded the Change Music Festival in Kungsbacka. She is also co-founder of Kungsbacka Piano Trio, with which she had played more than 700 concerts all ove the world, and of Stockholm Syndrome Ensemble which is made up of some of Europe’s most brilliant chamber musicians.

In 2008, Malin was elected a member of the Royal Swedish Academy of Music. The Kungsbacka Piano Trio has received the prestigious Interpret Prize of the Royal Academy of Music. In 2019, she was awarded H.M. The King’s Medal. She is currently Professor of Viola at Edsberg Institute of Music in Stockholm. She plays a 1709 Stradivarius violin and a 1861 Bajoni viola, both generously loaned by the Järnåker Foundation.

Internationellt hyllad för sin musikaliska integritet och omisskännliga musikalitet är Jacob Reuven en av vår tids mest efterfrågade mandolinspelare. Reuvens breda musikaliska horisont omfattar en repertoar som sträcker sig från barock till samtida konstmusik.

Jacob Reuven studerade för professor Simha Nathanson vid Beer Sheva Music Conservatory och senare för professor Motti Smidt vid Jerusalem Academy of Music and Dance. Han har framträtt som solist vid ett flertal prestigefulla internationella festivaler, såsom Dresden Music Festival, Potsdam Sanssouci Music Festival och Festival Mandolines de Lunel. Han har samarbetat med dirigenter som Zubin Mehta, Mstislav Rostropovitch, Antonio Pappano, Mendi Rodan och Zsolt Nagy. Han har turnerat världen över och har i Israel spelat med orkestrar som Israel Philharmonic Orchestra, Jerusalem Symphony Orchestra och Israeli Sinfonietta.

Reuven är medlem i den prisbelönta Kerman Mandolin Quartet liksom i Barrocade: the Israel Baroque Collective, med vilka han ofta framträder som solist. Därtill är han medlem i Ensemble Maktub, en ensemble med fokus på klassisk arabisk musik. Reuven är en väl ansedd pedagog och professor vid Jerusalem Academy of Music and Dance. Han är också konstnärlig ledare vid Beer Sheva Music Conservatory.

Approximate concert lenght: 1 h 30 min including intermission