The Swedish Radio Symphony Orchestra is a multiple-award-winning ensemble renowned for its high artistic standard and stylistic breadth, as well as collaborations with the world’s finest composers, conductors, and soloists. It regularly tours all over Europe and the world and has an extensive and acclaimed recording catalogue.

Daniel Harding has been Music Director of the SRSO since 2007, and since 2019 also its Artistic Director. His tenure will last throughout the 2024/2025 season. Two of the orchestra’s former chief conductors, Herbert Blomstedt and Esa-Pekka Salonen, have since been named Conductors Laureate, and continue to perform regularly with the orchestra.

The Swedish Radio Symphony Orchestra performs at Berwaldhallen, concert hall of the Swedish Radio, and is a cornerstone of Swedish public service broadcasting. Its concerts are heard weekly on the Swedish classical radio P2 and regularly on national public television SVT. Several concerts are also streamed on-demand on Berwaldhallen Play and broadcast globally through the EBU.

32 professional choristers make up the Swedish Radio Choir: a unique, dynamic instrument hailed by music-lovers and critics all over the world. The Swedish Radio Choir performs at Berwaldhallen, concert hall of the Swedish Radio, as well as on tours all over the country and the world. Also, they are heard regularly by millions of listeners on Swedish Radio P2, Berwaldhallen Play and globally through the EBU.

The award-winning Latvian conductor Kaspars Putniņš was appointed Chief Conductor of the Swedish Radio Choir in 2020. Since January 2019, its choirmaster is French orchestral and choral conductor Marc Korovitch, with responsibility for the choir’s vocal development.

The Swedish Radio Choir was founded in 1925, the same year as Sweden’s inaugural radio broadcasts, and gave its first concert in May that year. Multiple acclaimed and award-winning albums can be found in the choir’s record catalogue. Late 2023 saw the release of Kaspars Putniņš first album with the choir: Robert Schumann’s Missa sacra, recorded with organist Johan Hammarström.

Malin Broman is the first concertmaster of the Swedish Radio Symphony Orchestra since 2008. She served as artistic director of Musica Vitae in 2015–2020, premiering over 20 works and touring and recording extensively. In 2019, she succeeded Sakari Oramo as artistic director of the Ostrobothnian Chamber Orchestra.

As a guest leader, she has been invited to perform with ensembles such as the London Symphony Orchestra, Mahler Chamber Orchestra and the Philharmonia Orchestra. As combined soloist and leader she has performed with the Tapiola Sinfonietta, Nordic Chamber Orchestra, Trondheim Soloists and ACO Collective. Soloist highlights include performances with the Gothenburg Symphony, Copenhagen Phil, BBC Scottish Symphony, Academy of St Martin-in-the Fields, and the Swedish Radio Orchestra, working with such conductors as Neeme Järvi, Andrew Manze and Daniel Harding.

In recent years, she has premiered concertos by Daniel Börtz, Britta Byström, Andrea Tarrodi and Daniel Nelson. She has recorded over 30 albums, including concertos by Carl Nielsen and Britta Byström. Recent releases include an album with music by Laura Netzel, and Stockholm Diary with the Ostrobothnian Chamber Orchestra. Her recording of Mendelssohn’s double concerto together with pianist Simon Crawford-Phillips and Musica Vitae was Grammy nominated in 2019.

She received much acclaim for her recording of Felix Mendelssohn’s string octet in the spring of 2020, where she played all eight parts herself. She has since made two similar recordings: Britta Byström’s octet A Room of One’s Own, and Johan Halvorsens Passacaglia recorded with the Swedish Radio Symphony Orchestra’s solo contrabassist Rick Stotijn.

In 2001, she founded the Change Music Festival in Kungsbacka. She is also co-founder of Kungsbacka Piano Trio, with which she had played more than 700 concerts all ove the world, and of Stockholm Syndrome Ensemble which is made up of some of Europe’s most brilliant chamber musicians.

In 2008, Malin was elected a member of the Royal Swedish Academy of Music. The Kungsbacka Piano Trio has received the prestigious Interpret Prize of the Royal Academy of Music. In 2019, she was awarded H.M. The King’s Medal. She is currently Professor of Viola at Edsberg Institute of Music in Stockholm. She plays a 1709 Stradivarius violin and a 1861 Bajoni viola, both generously loaned by the Järnåker Foundation.

Marc Korovitch studied at the Sorbonne, the École Normale de Musique in Paris, and the Haute École de Musique in Geneva. Among his mentors were Denis Rouger, Celso Antunes, Michael Gläser, Dominique Rouits, and Colin Metters.

He is regularly invited by various choirs, including ACCENTUS, the Radio France Choir, the SWR Vokalensemble Stuttgart, the Croatian Radio Choir, the NDR Chor, the Europa Chor Akademie, the WDR Chor, the English Voices, the Community of Madrid Choir, the Serbian Radio Choir, the Eric Ericson Chamber Choir, and the Netherlands Radio Choir.

Korovitch is the youngest conductor to have conducted the Concerto Köln in Germany and on tour in Italy and Poland. He frequently conducts the Hague Chamber Orchestra, the Zagreb Baroque Orchestra, the Berliner Sinfonietta, the Croatian Radio and Television Orchestra, the Montpellier National Orchestra, and the Spanish Radio and Television Orchestra RTVE.

He collaborates with conductors such as Sir Simon Rattle, Herbert Blomstedt, Klaus Mäkelä, Daniel Harding, Lahav Shani, Gustavo Dudamel, Alan Gilbert, Philippe Jordan, Louis Langrée, Leonardo García Alarcón, Laurence Equilbey, Esa-Pekka Salonen, and Jaap van Zweden in halls such as the Philharmonie de Paris, Theater an der Wien, Elbphilharmonie in Hamburg, Lincoln Center in New York, Berwaldhallen in Stockholm, the National Auditorium of Music in Madrid, the Tokyo Opera City, and during major festivals such as the Radio-France festival in Montpellier, the Rencontres Musicales d’Evian, the Mozartwoche in Salzburg, the Baltic Sea Festival in Stockholm, and the Mostly Mozart festival in New York.
He was conductor of the Jeune Chœur de Paris from 2017 to 2024 and principal conductor of the Chœur de l’Orchestre de Paris between 2022 and 2023. In 2019, he was appointed choir master of the Swedish Radio Choir, chief conductor of the Orchestre Colonne in september 2022, of the Montenegro Symphony Orchestra in 2023, and of the Spanish Radio and Television Choir RTVE in 2024.

Passionate about teaching, Korovitch was a professor of choir conducting at the Conservatoire à Rayonnement Régional de Paris and at the Pôle Supérieur Paris Boulogne Billancourt for seven years.

Ulrika Edström started playing violoncello in her youth, growing up in the United States. Her desire to play in an orchestra came when she was 10 years old and was overwhelmed by the Chicago Symphony Orchestra playing Mahler’s fifth symphony. Ultimately, after studying both in Sweden and abroad, she found her musical home in the Swedish Radio Symphony Orchestra where she has been the assistant principal since 1989.

Besides playing with the SRSO, she is also active as a chamber musician with a particular interest in contemporary music. She has premiered chamber works by composers including Sven-David Sandstörm, Lars-Åke Franke-Blom, Oleg Gotskosik, and Jarosław Kapuściński. She also has a strong dedication to developing future generations of musicians through summer schools, various development projects in Switzerland, Mexico and South Africa, and through teaching at Lilla Akademien in Stockholm.